{"id":5037,"date":"2025-11-30T13:15:29","date_gmt":"2025-11-30T16:15:29","guid":{"rendered":"https:\/\/maquiagemnocinema.com\/?p=5037"},"modified":"2025-12-26T20:18:09","modified_gmt":"2025-12-26T23:18:09","slug":"dica-no-streaming-duble-de-anjo-mubi","status":"publish","type":"post","link":"https:\/\/maquiagemnocinema.com\/?p=5037","title":{"rendered":"DICA NO STREAMING: \u2018Dubl\u00ea de Anjo\u2019 (MUBI)"},"content":{"rendered":"\n<p class=\"has-black-color has-luminous-vivid-amber-background-color has-text-color has-background has-link-color wp-elements-dbc64a480aab16085e167fb02a1b5967\" style=\"font-size:18px\"><strong>Guillermo del Toro (&#8220;O Labirinto do Fauno&#8221;, &#8220;A Forma da \u00c1gua&#8221;) \u00e9 um mestre na constru\u00e7\u00e3o de universos fant\u00e1sticos, on\u00edricos e, por vezes, sombrios, como na sua recente vers\u00e3o de &#8220;Frankenstein&#8221; (agora na Neflix). Cineasta de origem indiana, Tarsem (ou Tarsem Singh) faz algo parecido com &#8220;Dubl\u00ea de Anjo&#8221;, uma f\u00e1bula como voc\u00ea nunca viu, com visual impressionante, dispon\u00edvel na plataforma <a href=\"https:\/\/mubi.com\/pt\/br\/films\/the-fall\" target=\"_blank\" rel=\"noopener\" title=\"\">MUBI<\/a>.<\/strong><\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-7b81624d48ae9430404d830db0996016\" style=\"font-size:18px\">Tarsem come\u00e7ou sua carreira realizando comerciais e videoclipes como &#8220;Losing My Religion&#8221;, da banda R.E.M, e fez sua estreia na dire\u00e7\u00e3o com o suspense <strong>&#8220;A Cela&#8221;<\/strong> (2000).<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-d8279ba83e035aec0060f510488fc1ed\" style=\"font-size:18px\">In\u00e9dito nos cinemas brasileiros, &#8220;Dubl\u00ea de Anjo&#8221; (The Fall) \u00e9 seu filme mais ambicioso e pessoal, com sua narrativa constru\u00edda a partir dos olhos e da imagina\u00e7\u00e3o da pequena Alexandria (Catinca Untaru), que passa a ouvir as hist\u00f3rias delirantes de Roy (<strong>Lee Pace<\/strong>, da s\u00e9rie &#8220;Pushing Daisies&#8221;), um dubl\u00ea atormentado em recupera\u00e7\u00e3o num hospital de Los Angeles, nos anos 1920.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-480e424900329ebf2605a7c69ba67a69\" style=\"font-size:18px\">Com in\u00fameras refer\u00eancias e cita\u00e7\u00f5es visuais (&#8220;Andrei Rublev&#8221;, &#8220;O Mahabharata&#8221;), Tarsem revela fatos importantes da hist\u00f3ria j\u00e1 na bela sequ\u00eancia de cr\u00e9ditos iniciais, ao som da sinfonia n\u00ba 7 de Beethoven.  Financiado com recursos do pr\u00f3prio diretor, o filme foi um fracasso no seu lan\u00e7amento, com cr\u00edticas mistas e lan\u00e7amento em poucas salas nos EUA. Por\u00e9m, foi ganhando status de cult com o tempo e, no ano passado, foi <strong>restaurado em<\/strong> <strong>4k pela MUBI<\/strong>, sendo relan\u00e7ado em cinemas dos EUA, Canad\u00e1 e v\u00e1rios pa\u00edses da Europa. Al\u00e9m de ser descoberto por mais cin\u00e9filos na plataforma de <a href=\"https:\/\/mubi.com\/pt\/br\/films\/the-fall\" target=\"_blank\" rel=\"noopener\" title=\"\">streaming<\/a>.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"THE FALL | Official Trailer | Now Streaming\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/VZtQH_cwTOw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-small-font-size\">Vencedor do pr\u00eamio de Melhor Filme no Festival de Cinema de Sitges (Barcelona, Espanha), &#8220;Dubl\u00ea de Anjo&#8221; recebeu ainda a Men\u00e7\u00e3o Especial &#8211; Generation 14plus &#8211; Best Feature Film &#8211; no Festival de Berlim, em 2007.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-9852bdee755e05732876c03b56a9d2af\" style=\"font-size:18px\">Filmado ao longo de quatro anos em mais de 20 pa\u00edses, incluindo \u00cdndia, It\u00e1lia e \u00c1frica do Sul, o \u00e9pico de fantasia destaca-se tamb\u00e9m pela equipe t\u00e9cnica, com nomes como a figurinista <strong>Eiko Ishioka<\/strong>, vencedora do <strong>Oscar de Melhor Figurino<\/strong> por <strong>&#8220;Dr\u00e1cula de Bram Stoker&#8221;<\/strong>, em 1993. Sem falar na dire\u00e7\u00e3o de fotografia, espetacular, assinada por Colin Watkinson (premiado com o Emmy pela s\u00e9rie &#8220;O Conto da Aia&#8221;), que filmou quase tudo em loca\u00e7\u00f5es reais, com m\u00ednimo uso de efeitos de CGI.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-6b78c34a27f341ef6618f4fb2867e27c\" style=\"font-size:18px\">Mais do que uma extravag\u00e2ncia visual, &#8220;Dubl\u00ea de Anjo&#8221; \u00e9 uma declara\u00e7\u00e3o de amor \u00e0 magia do cinema, e um triunfo da imagina\u00e7\u00e3o de seus realizadores.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"576\" src=\"http:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2025\/11\/the-fall-duble-de-anjo-tarsem-2-1024x576.jpg\" alt=\"\" class=\"wp-image-5052\" srcset=\"https:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2025\/11\/the-fall-duble-de-anjo-tarsem-2-1024x576.jpg 1024w, https:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2025\/11\/the-fall-duble-de-anjo-tarsem-2-300x169.jpg 300w, https:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2025\/11\/the-fall-duble-de-anjo-tarsem-2-768x432.jpg 768w, https:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2025\/11\/the-fall-duble-de-anjo-tarsem-2.jpg 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-aeab9e2ddd9ea76af9d4c075d024a1c5\" style=\"font-size:18px\"><strong>Cr\u00e9ditos da equipe de Cabelo e Maquiagem:<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-c3bd163a8807607ebdf09fba550a2acb\" style=\"font-size:18px\">Kevin Epstein &#8211; <em>hair stylist<\/em><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-dbc79716590c926e57026401a08e18ed\" style=\"font-size:18px\">Kerry September &#8211; <em>key make up artist<\/em> (equipe de Bali, na \u00cdndia)<\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-d0ea0bc23d8ed49739f030087c7aa13e\" style=\"font-size:18px\">Kerry Skelton &#8211; cabelo e maquiagem<\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-d04dec4eacccccca113247819c046e16\" style=\"font-size:18px\">Leon von Solms &#8211; <em>makeup designer<\/em><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-d0043cb88cd0b4d4ce3857f3cae04b53\" style=\"font-size:18px\">Yogesh Yewale &#8211; <em>makeup artis<\/em>t (\u00cdndia)<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-b5cc48308fe27fdbfd9fa350526b278c\" style=\"font-size:18px\"><strong>EIKO ISHIOKA (1938-2012)<\/strong><\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2025\/11\/eiko-ishioka-1-841x1024.jpg\" alt=\"\" class=\"wp-image-5056\" style=\"width:295px;height:359px\" width=\"295\" height=\"359\" srcset=\"https:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2025\/11\/eiko-ishioka-1-841x1024.jpg 841w, https:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2025\/11\/eiko-ishioka-1-246x300.jpg 246w, https:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2025\/11\/eiko-ishioka-1-768x935.jpg 768w, https:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2025\/11\/eiko-ishioka-1.jpg 932w\" sizes=\"(max-width: 295px) 100vw, 295px\" \/><\/figure><\/div>\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-f85366c39ab590c2b4a1a10bb7f152d2\" style=\"font-size:18px\"><em><strong>UMA ARTISTA REVOLUCION\u00c1RIA<\/strong><\/em><\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-9901cb71743d13c233abe4e6fd96482c\" style=\"font-size:18px\">Figurinos para cinema e teatro, cenografia, dire\u00e7\u00e3o de videoclipes e comerciais, capas de disco, uniformes para as Olimp\u00edadas de Inverno. \u00c9 dif\u00edcil resumir em poucas linhas a abrang\u00eancia do trabalho da designer <strong><a href=\"https:\/\/wepresent.wetransfer.com\/stories\/eiko-ishioka-charlie-fox\" target=\"_blank\" rel=\"noopener\" title=\"\">Eiko Ishioka<\/a><\/strong>.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-f0c200c9e23ef9038b20ca01c60f2d11\" style=\"font-size:18px\">Nascida em T\u00f3quio (Jap\u00e3o), em 12 de julho de 1938, formou-se em Belas Artes em 1961. Come\u00e7ou a trabalhar com publicidade e propaganda, e em 1973 dirigiu seu primeiro comercial. A partir dos anos 1980, expandiu sua atua\u00e7\u00e3o para diversos campos art\u00edsticos, em especial o cinema, tornando-se a mais vers\u00e1til e renomada diretora de arte do Jap\u00e3o.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-f19d48b63b688a26e4479bd7ec76cf35\" style=\"font-size:18px\">Em 1985, seu trabalho (desenho de produ\u00e7\u00e3o e figurinos) em <strong>&#8220;Mishima \u2013 Uma Vida em Quatro Tempos&#8221; <\/strong>chamou a aten\u00e7\u00e3o do produtor executivo <strong>Francis Ford Coppola<\/strong> \u2013 que, impressionado, a contrataria anos depois para criar os deslumbrantes figurinos de <strong>&#8220;Dr\u00e1cula de Bram Stoker&#8221;<\/strong> (1992), premiados com o Oscar.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-b7eaf72935b9f555054a22f64939c4ee\" style=\"font-size:18px\">A parceria com o diretor Tarsem Singh come\u00e7ou em 1999 e rendeu quatro filmes: <strong>&#8220;A Cela&#8221;<\/strong> (2000), <strong>&#8220;Dubl\u00ea de Anjo&#8221;<\/strong> (2006), <strong>&#8220;Imortais&#8221;<\/strong> (2011) e <strong>&#8220;Espelho, Espelho Meu&#8221;<\/strong> (2012), releitura de Branca de Neve com Julia Roberts de vil\u00e3. Este \u00faltimo valeu \u00e0 designer e figurinista sua segunda indica\u00e7\u00e3o ao Oscar, p\u00f3stuma, em 2013.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2025\/11\/eiko-ishioka-the-cell-a-cela-1024x691.jpg\" alt=\"\" class=\"wp-image-5071\" style=\"width:530px;height:358px\" width=\"530\" height=\"358\" srcset=\"https:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2025\/11\/eiko-ishioka-the-cell-a-cela-1024x691.jpg 1024w, https:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2025\/11\/eiko-ishioka-the-cell-a-cela-300x202.jpg 300w, https:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2025\/11\/eiko-ishioka-the-cell-a-cela-768x518.jpg 768w, https:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2025\/11\/eiko-ishioka-the-cell-a-cela-1536x1036.jpg 1536w, https:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2025\/11\/eiko-ishioka-the-cell-a-cela-2048x1382.jpg 2048w\" sizes=\"(max-width: 530px) 100vw, 530px\" \/><figcaption class=\"wp-element-caption\">Figurino de &#8220;A Cela&#8221; (2000)<\/figcaption><\/figure><\/div>\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2025\/11\/the-fall-duble-de-anjo-eiko-1024x576.jpg\" alt=\"\" class=\"wp-image-5072\" style=\"width:528px;height:297px\" width=\"528\" height=\"297\" srcset=\"https:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2025\/11\/the-fall-duble-de-anjo-eiko-1024x576.jpg 1024w, https:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2025\/11\/the-fall-duble-de-anjo-eiko-300x169.jpg 300w, https:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2025\/11\/the-fall-duble-de-anjo-eiko-768x432.jpg 768w, https:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2025\/11\/the-fall-duble-de-anjo-eiko.jpg 1200w\" sizes=\"(max-width: 528px) 100vw, 528px\" \/><figcaption class=\"wp-element-caption\">Figurinos de &#8220;Dubl\u00ea de Anjo&#8221; (2006)<\/figcaption><\/figure><\/div>\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"484\" height=\"562\" src=\"http:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2025\/11\/the-fall-duble-de-anjo-eiko-croqui.jpg\" alt=\"\" class=\"wp-image-5073\" srcset=\"https:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2025\/11\/the-fall-duble-de-anjo-eiko-croqui.jpg 484w, https:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2025\/11\/the-fall-duble-de-anjo-eiko-croqui-258x300.jpg 258w\" sizes=\"(max-width: 484px) 100vw, 484px\" \/><figcaption class=\"wp-element-caption\">Croqui de Eiko Ishioka para o personagem do Bandido Mascarado, a encarna\u00e7\u00e3o de Roy nas suas hist\u00f3rias<\/figcaption><\/figure><\/div>\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-b26d4f0d3803bf2d1c849c094fd2ac6c\" style=\"font-size:18px\">Entre os in\u00fameros trabalhos de Ishioka, destacam-se ainda a capa do disco &#8220;Tutu&#8221; (de Miles Davis) \u2013 que lhe valeu o Grammy em 1987 \u2013, o pol\u00eamico videoclipe &#8220;Cocoon&#8221; (com Bj\u00f6rk) e os figurinos usados pelo <strong>Cirque Du Soleil <\/strong>no espet\u00e1culo <strong>&#8220;Varekai&#8221;.<\/strong><\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-9e1e8ed6071a5f9fc6cfcf7e4160b699\" style=\"font-size:18px\">A artista faleceu em 21 de janeiro de 2012, aos 73 anos, v\u00edtima de c\u00e2ncer no p\u00e2ncreas. O cinema ficou mais sem gra\u00e7a (e menos original) sem seu talento &#8211; e busca constante por inova\u00e7\u00e3o.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-pale-pink-background-color has-text-color has-background has-link-color wp-elements-6b1c761e3b01ae584cf554057908258c\" style=\"font-size:20px\"><strong>Pesquisa e texto: <\/strong>Eduardo Lucena<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Guillermo del Toro (&#8220;O Labirinto do Fauno&#8221;, &#8220;A Forma da \u00c1gua&#8221;) \u00e9 um mestre na constru\u00e7\u00e3o de universos fant\u00e1sticos, on\u00edricos e, por vezes, sombrios, como na sua recente vers\u00e3o de &#8220;Frankenstein&#8221; (agora na Neflix). Cineasta de origem indiana, Tarsem (ou Tarsem Singh) faz algo parecido [&hellip;]<\/p>\n","protected":false},"author":55680,"featured_media":5044,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[437],"tags":[644,648,647,646,643,645,642],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/maquiagemnocinema.com\/index.php?rest_route=\/wp\/v2\/posts\/5037"}],"collection":[{"href":"https:\/\/maquiagemnocinema.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/maquiagemnocinema.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/maquiagemnocinema.com\/index.php?rest_route=\/wp\/v2\/users\/55680"}],"replies":[{"embeddable":true,"href":"https:\/\/maquiagemnocinema.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5037"}],"version-history":[{"count":23,"href":"https:\/\/maquiagemnocinema.com\/index.php?rest_route=\/wp\/v2\/posts\/5037\/revisions"}],"predecessor-version":[{"id":5256,"href":"https:\/\/maquiagemnocinema.com\/index.php?rest_route=\/wp\/v2\/posts\/5037\/revisions\/5256"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/maquiagemnocinema.com\/index.php?rest_route=\/wp\/v2\/media\/5044"}],"wp:attachment":[{"href":"https:\/\/maquiagemnocinema.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5037"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/maquiagemnocinema.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5037"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/maquiagemnocinema.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5037"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}