{"id":3800,"date":"2026-04-14T01:40:31","date_gmt":"2026-04-14T04:40:31","guid":{"rendered":"https:\/\/maquiagemnocinema.com\/?p=3800"},"modified":"2026-04-26T13:03:53","modified_gmt":"2026-04-26T16:03:53","slug":"festival-de-cannes-anuncia-indicados-com-novo-filme-de-wagner-moura-na-disputa-pela-palma-de-ouro","status":"publish","type":"post","link":"https:\/\/maquiagemnocinema.com\/?p=3800","title":{"rendered":"Festival de Cannes anuncia sele\u00e7\u00e3o oficial, neste ano sem o Brasil"},"content":{"rendered":"\n<p class=\"has-black-color has-luminous-vivid-amber-background-color has-text-color has-background has-link-color wp-elements-67341ad42c8d43255dcd03723ea8f4d7\" style=\"font-size:18px\"><strong>O maior festival de cinema do mundo anunciou o <em>line-up<\/em> de sua 79\u00aa edi\u00e7\u00e3o, que vai de 12 a 23 de maio. A lista n\u00e3o traz produ\u00e7\u00f5es brasileiras na disputa pela Palma de Ouro, que conta com os novos trabalhos de Asghar Farhadi, Ryusuke Hamaguchi, Pawel Pawlikowski e Pedro Almod\u00f3var, entre outros.<\/strong><\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-95309cb80aa83e69ebb0decfb57b0432\" style=\"font-size:18px\">Ap\u00f3s o \u00eaxito de <strong>&#8220;O Agente Secreto&#8221;<\/strong>, com dois pr\u00eamios no ano passado (melhor dire\u00e7\u00e3o e melhor ator), o festival franc\u00eas incluiu nenhuma produ\u00e7\u00e3o do Brasil na <strong>sele\u00e7\u00e3o oficial<\/strong>. Ao menos, h\u00e1 uma coprodu\u00e7\u00e3o com o pa\u00eds na mostra paralela <strong>&#8220;Un Certain Regard&#8221;<\/strong> (Um Certo Olhar):<strong> &#8220;Elefantes da N\u00e9voa&#8221;<\/strong>, de Abinash Bikram Shah, sobre a busca de uma l\u00edder comunit\u00e1ria por sua filha desaparecida em uma regi\u00e3o do Nepal habitada por elefantes selvagens. O longa vai ser distribu\u00eddo no Brasil pela Imovision.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-96f4f39299e4d61161261cb12c509b7c\" style=\"font-size:18px\">Se n\u00e3o temos um filme brasileiro na disputa principal, nossos talentos seguem carreira internacional, caso de <strong>Selton Mello<\/strong>, que integra o elenco de <strong>&#8220;La Perra&#8221;<\/strong>, filme da diretora chilena Dominga Sotomayor que acaba de ser anunciado na <strong>Quinzena dos Realizadores<\/strong>.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-ef35be440f1bc7f4292d30f127c79cfd\" style=\"font-size:18px\">Al\u00e9m dele, o drama <strong>&#8220;Seis Meses no Pr\u00e9dio Rosa e Azul&#8221;<\/strong>, do mexicano Bruno Santamar\u00eda Razo, foi inclu\u00eddo na <strong>Semana da Cr\u00edtica<\/strong>, mostra dedicada a novos talentos do cinema. O filme \u00e9 uma coprodu\u00e7\u00e3o Brasil, M\u00e9xico e Dinamarca e vai representar a Am\u00e9rica Latina na programa\u00e7\u00e3o.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-d2249837fd23485e6d11654cd3bca9e7\" style=\"font-size:18px\">Pela primeira vez na hist\u00f3ria do festival, um sul-coreano ir\u00e1 presidir o j\u00fari: <strong>Park Chan-wook<\/strong>, aclamado cineasta de &#8220;Oldboy&#8221;, &#8220;A Criada&#8221; e &#8220;Decis\u00e3o de Partir&#8221; (que lhe valeu o pr\u00eamio de Melhor Dire\u00e7\u00e3o, em 2022). Ele volta a Cannes ap\u00f3s concorrer \u00e0 Palma de Ouro com &#8220;A \u00danica Sa\u00edda&#8221;, no ano passado.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-6d35d9e77e8bd0c76965a6ae484641dc\" style=\"font-size:18px\">Outro diretor sul-coreano, <strong>Na Hong-jin<\/strong>, marca presen\u00e7a em Cannes com seu primeiro trabalho em l\u00edngua inglesa \u2013 &#8220;Hope&#8221;, com Michael Fassbender e Alicia Vikander \u2013, dez anos depois de seu longa anterior, &#8220;O Lamento&#8221;. A sele\u00e7\u00e3o asi\u00e1tica traz ainda tr\u00eas filmes japoneses: &#8220;All of a Sudden&#8221;, de <strong>Ryusuke Hamaguchi <\/strong>(diretor do premiado &#8220;Drive my Car&#8221;), &#8220;Nagi Notes&#8221;, de <strong>Koji Fukada<\/strong>, e &#8220;Sheep in the Box&#8221;, de <strong>Hirokazu Kore-eda, <\/strong>que j\u00e1 venceu uma Palma de Ouro em 2018, com &#8220;Assunto de Fam\u00edlia&#8221;.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2026\/04\/banner-cannes-2026-line-up-1024x611.jpg\" alt=\"\" class=\"wp-image-5992\" style=\"width:526px;height:314px\" width=\"526\" height=\"314\" srcset=\"https:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2026\/04\/banner-cannes-2026-line-up-1024x611.jpg 1024w, https:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2026\/04\/banner-cannes-2026-line-up-300x179.jpg 300w, https:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2026\/04\/banner-cannes-2026-line-up-768x458.jpg 768w, https:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2026\/04\/banner-cannes-2026-line-up.jpg 1200w\" sizes=\"(max-width: 526px) 100vw, 526px\" \/><figcaption class=\"wp-element-caption\">Tr\u00eas veteranos de volta \u00e0 Croisette: Hirokazu Kore-eda, Pedro Almod\u00f3var e Asghar Farhadi<\/figcaption><\/figure><\/div>\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-11d946ccc13dc41ce8c16b7d8a5c7821\" style=\"font-size:18px\">Mas \u00e9 a Fran\u00e7a o pa\u00eds com mais chances (sete) na competi\u00e7\u00e3o oficial, incluindo coprodu\u00e7\u00f5es como <strong>&#8220;Parallel Tales&#8221;<\/strong>, novo drama do diretor iraniano <strong>Asghar Farhadi <\/strong>(de &#8220;A Separa\u00e7\u00e3o), com um super elenco formado por Isabelle Huppert, Vincent Cassel, Virginie Efira, Pierre Niney e Catherine Deneuve.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-cffaf52eee660bd44bf0da4c99c2926e\" style=\"font-size:18px\">Neste ano, apenas <strong>cinco filmes dirigidos por mulheres concorrem \u00e0 Palma de Ouro<\/strong>: &#8220;The Dreamed Adventure&#8221;, da alem\u00e3 Valeska Grisebac<strong>h<\/strong>, &#8220;Gentle Monster&#8221;, da austr\u00edaca Marie Kreutzer, e tr\u00eas obras de cineastas francesas \u2013 &#8220;Garance&#8221;, de Jeanne Herry, &#8220;Stories of The Night&#8221;, de L\u00e9a Mysius, e &#8220;La vie d\u2019une femme&#8221;, de Charline Bourgeois-Tacquet. O recorde de diretoras mulheres na sele\u00e7\u00e3o oficial foi de sete, em 2023, ano em <strong>Justine Triet<\/strong> levou o pr\u00eamio por &#8220;Anatomia de uma Queda&#8221;.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-3af36ab3b37492532a8e0182f01c2371\" style=\"font-size:18px\">A inclus\u00e3o de apenas um filme norte-americano na sele\u00e7\u00e3o oficial, <strong>&#8220;The Man I Love&#8221;<\/strong> (de<strong> Ira Sachs<\/strong>), tem sido bastante comentada, levantando quest\u00f5es como a crise criativa em Hollywood, com os grandes est\u00fadios correndo menos riscos.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-53624bacd380e91f76fa99b3506924fe\" style=\"font-size:18px\">E sem d\u00favida um dos t\u00edtulos mais esperados deste ano \u00e9 <strong>&#8220;Natal Amargo&#8221;<\/strong>, 24\u00ba longa-metragem de <strong>Pedro Almod\u00f3var<\/strong>, com estreia marcada nos cinemas brasileiros para <strong>28 de maio<\/strong>. Ser\u00e1 que finalmente chegou a vez de um dos cineastas mais cultuados e queridos dos cin\u00e9filos levar sua primeira Palma de Ouro?<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Trailer Oficial legendado NATAL AMARGO_o novo filme de Pedro Almod\u00f3var | PRIS Audiovisuais\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/egvLFfFOTco?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-6b5f7356bd324834e0346bef039d1e39\" style=\"font-size:18px\">Famoso pela saga &#8220;O Senhor dos An\u00e9is&#8221;, o diretor neozeland\u00eas <strong>Peter Jackson<\/strong> ser\u00e1 homenageado com uma Palma de Ouro honor\u00e1ria durante a cerim\u00f4nia de abertura, em 12 de maio. J\u00e1 a lend\u00e1ria <strong>Barbra Streisand<\/strong> vai receber, aos 83 anos, a Palma de Ouro de Honra, na cerim\u00f4nia de encerramento em 23 de maio.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-c824b238c9c3d1481ea500733e7ba170\" style=\"font-size:18px\">Segundo <strong>Thierry Fr\u00e9maux<\/strong>, diretor art\u00edstico do festival, foi definido por volta de 95% da sele\u00e7\u00e3o oficial, ou seja, mais filmes poder\u00e3o ser adicionados nos pr\u00f3ximos dias, assim como os membros do j\u00fari.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-6e0c7e8d5864ec1ff4e0ae3dd3a413f0\" style=\"font-size:18px\"><strong>Nota do editor (22\/4): <\/strong>O Festival de Cannes divulgou o p\u00f4ster oficial da edi\u00e7\u00e3o deste ano, com Susan Sarandon e Geena Davis no filme &#8220;Thelma &amp; Louise&#8221; em destaque. O cl\u00e1ssico de Ridley Scott marcou \u00e9poca e fez sua estreia mundial no evento em 1991, h\u00e1 35 anos.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"614\" src=\"http:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2026\/04\/cannes2026-cartaz-1024x614.jpg\" alt=\"\" class=\"wp-image-6058\" srcset=\"https:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2026\/04\/cannes2026-cartaz-1024x614.jpg 1024w, https:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2026\/04\/cannes2026-cartaz-300x180.jpg 300w, https:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2026\/04\/cannes2026-cartaz-768x461.jpg 768w, https:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2026\/04\/cannes2026-cartaz-1536x922.jpg 1536w, https:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2026\/04\/cannes2026-cartaz.jpg 2000w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-382feb64e91ee9bccfd5e15e2ce16562\" style=\"font-size:18px\">A seguir, confira o<strong> <em>line-up<\/em> <\/strong>deste ano, que inclui exibi\u00e7\u00f5es fora de competi\u00e7\u00e3o e mostras, lembrando que mais t\u00edtulos devem ser adicionados nos pr\u00f3ximos dias <strong>(seguem grifados em negrito)<\/strong>. Apenas um filme foi adicionado \u00e0 sele\u00e7\u00e3o oficial: <strong>&#8220;Paper Tiger&#8221;<\/strong>, novo trabalho de<strong> James Gray<\/strong> (diretor de &#8220;Os Donos da Noite&#8221;) que tem o brasileiro Rodrigo Teixeira (via @rtfeatures) entre os produtores. O elenco conta com Scarlett Johansson, Adam Driver e Miles Teller.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-e0e9032fb9046902d3bf4c0c01686987\" style=\"font-size:18px\"><strong>FILME DE ABERTURA<\/strong><\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul>\n<li style=\"font-size:18px\">A V\u00eanus El\u00e9trica, de Pierre Salvadori<\/li>\n<\/ul>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-a180d84257b59790dcbcf4c9c8c2d1c3\" style=\"font-size:18px\"><strong>FORA DE COMPETI\u00c7\u00c3O<\/strong><\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul>\n<li style=\"font-size:18px\">Diamond, de Andy Garcia<\/li>\n\n\n\n<li style=\"font-size:18px\">L\u2019\u00c2ge de fer, de Antonin Baudry <\/li>\n\n\n\n<li style=\"font-size:18px\">L\u2019Abandon, de Vincent Garenq<\/li>\n\n\n\n<li style=\"font-size:18px\">Karma, de Guillaume Canet<\/li>\n\n\n\n<li style=\"font-size:18px\">L\u2019Objet Du Delit, de Agn\u00e8s Jaoui<\/li>\n\n\n\n<li style=\"font-size:18px\">Her Private Hell, de Nicolas Winding Refn<\/li>\n<\/ul>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2026\/04\/sophie-cannes.jpg\" alt=\"\" class=\"wp-image-5995\" style=\"width:530px;height:301px\" width=\"530\" height=\"301\" srcset=\"https:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2026\/04\/sophie-cannes.jpg 862w, https:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2026\/04\/sophie-cannes-300x171.jpg 300w, https:\/\/maquiagemnocinema.com\/wp-content\/uploads\/2026\/04\/sophie-cannes-768x437.jpg 768w\" sizes=\"(max-width: 530px) 100vw, 530px\" \/><figcaption class=\"wp-element-caption\">Sophie Thatcher em &#8220;Her Private Hell&#8221;, novo filme de Nicolas Winding Refn, diretor j\u00e1 premiado no festival por &#8220;Drive&#8221;, em 2011. Outro cineasta cultuado, o japon\u00eas Kiyoshi Kurosawa (de &#8220;Cure&#8221;) apresenta na mostra &#8216;Un Certain Regard&#8217; seu primeiro \u00e9pico &#8211; &#8220;Kokurojo: The Samurai and the Prisoner&#8221;, ambientado no Jap\u00e3o feudal do s\u00e9culo 16.<\/figcaption><\/figure><\/div>\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-adb7e28bb17c791e8fd48e3f33a8dbdb\" style=\"font-size:18px\"><strong>COMPETI\u00c7\u00c3O OFICIAL<\/strong><\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul>\n<li style=\"font-size:18px\">Natal Amargo, de Pedro Almod\u00f3var<\/li>\n\n\n\n<li style=\"font-size:18px\">Minotaur, de Andrey Zvyagintsev<\/li>\n\n\n\n<li style=\"font-size:18px\">El Ser Querido, de Rodrigo Sorogoyen<\/li>\n\n\n\n<li style=\"font-size:18px\">The Man I Love, de Ira Sachs<\/li>\n\n\n\n<li style=\"font-size:18px\">Fatherland, de Pawe\u0142 Pawlikowski<\/li>\n\n\n\n<li style=\"font-size:18px\">Moulin, de L\u00e1szl\u00f3 Nemes<\/li>\n\n\n\n<li style=\"font-size:18px\">Stories of The Night, de L\u00e9a Mysius<\/li>\n\n\n\n<li style=\"font-size:18px\">Fjord, de Cristian Mungiu<\/li>\n\n\n\n<li style=\"font-size:18px\">Notre Salut, de Emmanuel Marre<\/li>\n\n\n\n<li style=\"font-size:18px\">Gentle Monster, de Marie Kreutzer<\/li>\n\n\n\n<li style=\"font-size:18px\">Nagi Notes, de Koji Fukada<\/li>\n\n\n\n<li style=\"font-size:18px\">Hope, de Na Hong-jin<\/li>\n\n\n\n<li style=\"font-size:18px\">Sheep in the Box, de Hirokazu Kore-eda<\/li>\n\n\n\n<li style=\"font-size:18px\">Garance, de Jeanne Herry<\/li>\n\n\n\n<li style=\"font-size:18px\">All of a Sudden, de Ry\u00fbsuke Hamaguchi<\/li>\n\n\n\n<li style=\"font-size:18px\">The Dreamed Adventure, de Valeska Grisebach<\/li>\n\n\n\n<li style=\"font-size:18px\">Coward, de Lukas Dhont<\/li>\n\n\n\n<li style=\"font-size:18px\">The Black Ball, de Javier Ambrossi e Javier Calvo<\/li>\n\n\n\n<li style=\"font-size:18px\">Life of a Woman, de Charline Bourgeois-Tacquet<\/li>\n\n\n\n<li style=\"font-size:18px\">Parallel Tales, de Asghar Farhadi<\/li>\n\n\n\n<li style=\"font-size:18px\"><strong>Paper Tiger, de James Gray<\/strong><\/li>\n<\/ul>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-e3aece9daad89c6e15bdab73c973b9e4\" style=\"font-size:18px\"><strong>UN CERTAIN REGARD<\/strong><\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul>\n<li style=\"font-size:18px\">All the Lovers in the Night, de Yukiko Sode<\/li>\n\n\n\n<li style=\"font-size:18px\">La M\u00e1s dulce, de La\u00efla Marrakchi<\/li>\n\n\n\n<li style=\"font-size:18px\">Club Kid, de Jordan Firstman<\/li>\n\n\n\n<li style=\"font-size:18px\">Teenage Sex and Death at Camp Miasma, de Jane Schoenbrun<\/li>\n\n\n\n<li style=\"font-size:18px\">Yesterday the Eye Didn\u2019t Sleep, de Rakan Mayasi<\/li>\n\n\n\n<li style=\"font-size:18px\">Everytime, de Sandra Wollner<\/li>\n\n\n\n<li style=\"font-size:18px\">Meltdown, de Manuela Martelli<\/li>\n\n\n\n<li style=\"font-size:18px\">I\u2019ll Be Gone in June, de Katharina Rivilis<\/li>\n\n\n\n<li style=\"font-size:18px\">I Am Always Your Maternal Animal, de Valentina Maurel<\/li>\n\n\n\n<li style=\"font-size:18px\">Congo Boy, de Rafiki Fariala<\/li>\n\n\n\n<li style=\"font-size:18px\">Le Corset, de Louis Clichy<\/li>\n\n\n\n<li style=\"font-size:18px\">Benimana, de Marie-Clementine Dusabejambo<\/li>\n\n\n\n<li style=\"font-size:18px\">Elefantes na N\u00e9voa, de Abinash Bikram Shah<\/li>\n\n\n\n<li><strong>Psycho Vitoriano, de Zachary Wigon<\/strong><\/li>\n\n\n\n<li><strong>A Hist\u00f3ria de Uma Garota, de Judith Godr\u00e8che<\/strong><\/li>\n\n\n\n<li><strong>Oceano Titanico, de Konstantina Kotzamani<\/strong><\/li>\n\n\n\n<li><strong>Ulisses, de Laetitia Masson (filme de encerramento)<\/strong><\/li>\n<\/ul>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-49c7fc7594fb0c29a0aba92bcaa1fbf9\" style=\"font-size:18px\"><strong>PREMI\u00c8RE EM CANNES<\/strong><\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul>\n<li style=\"font-size:18px\">Propeller One-Way Night Coach, de John Travolta<\/li>\n\n\n\n<li style=\"font-size:18px\">Kokurojo: The Samurai and the Prisoner, de Kiyoshi Kurosawa<\/li>\n\n\n\n<li style=\"font-size:18px\">Heimsuchung, de Volker Schl\u00f6ndorff<\/li>\n\n\n\n<li style=\"font-size:18px\">El Partido, Juan Cabral e Santiago Franco<\/li>\n\n\n\n<li style=\"font-size:18px\">The Third Night, de Daniel Auteuil<\/li>\n\n\n\n<li><strong>O Fim Disso, de Maria Martinez Bayona<\/strong><\/li>\n\n\n\n<li><strong>Maria Madalena, de Gessica G\u00e9n\u00e9us<\/strong><\/li>\n\n\n\n<li><strong>Aqui, de Tiago Guedes<\/strong><\/li>\n\n\n\n<li><strong>Casamento ao Sabor de Laranja, de Christophe Honor\u00e9<\/strong><\/li>\n\n\n\n<li><strong>Se Voc\u00ea Pensa Bem, de G\u00e9raldine Nakache<\/strong><\/li>\n<\/ul>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-256c9c524103852b164e8dde5693282a\" style=\"font-size:18px\"><strong>SESS\u00d5ES DA MEIA-NOITE<\/strong><\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul>\n<li style=\"font-size:18px\">Colony, de Yeon Sang-ho<\/li>\n\n\n\n<li style=\"font-size:18px\">Roma Elastica, de Bertrand Mandico<\/li>\n\n\n\n<li style=\"font-size:18px\">Sanguine, de Marion Le Coroller<\/li>\n\n\n\n<li style=\"font-size:18px\">Full Phil, de Quentin Dupieux<\/li>\n\n\n\n<li style=\"font-size:18px\">Jim Queen, de Nicolas Athane e Marco Nguyen<\/li>\n<\/ul>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-f0fb13c84f404a396315215761d3d96d\" style=\"font-size:18px\"><strong>EXIBI\u00c7\u00d5ES ESPECIAIS<\/strong><\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<ul>\n<li style=\"font-size:18px\">John Lennon: The Last Interview, de Steven Soderbergh<\/li>\n\n\n\n<li style=\"font-size:18px\">Avedon, de Ron Howard<\/li>\n\n\n\n<li style=\"font-size:18px\">Les Survivants du Che, de Christophe R\u00e9veille<\/li>\n\n\n\n<li style=\"font-size:18px\">Les Matins Merveilleux, de Avril Besson<\/li>\n\n\n\n<li><strong>Primavera, de Rostislav Kirpi\u010denko<\/strong><\/li>\n\n\n\n<li><strong>Cinzas, de Diego Luna<\/strong><\/li>\n\n\n\n<li><strong>Emaranhados, de Leah Nelson<\/strong><\/li>\n\n\n\n<li><strong>O Tri\u00e2ngulo Dourado, de H\u00e9l\u00e8ne Rosselet-Ruiz<\/strong><\/li>\n\n\n\n<li><strong>Onda de Mudan\u00e7as, de Joshua e Rebecca Tickell<\/strong><\/li>\n<\/ul>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-black-color has-pale-pink-background-color has-text-color has-background has-link-color wp-elements-a9e81098089623faf70594723ed20881\" style=\"font-size:20px\"><strong>Pesquisa e texto: <\/strong>Eduardo Lucena<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>O maior festival de cinema do mundo anunciou o line-up de sua 79\u00aa edi\u00e7\u00e3o, que vai de 12 a 23 de maio. A lista n\u00e3o traz produ\u00e7\u00f5es brasileiras na disputa pela Palma de Ouro, que conta com os novos trabalhos de Asghar Farhadi, Ryusuke Hamaguchi, [&hellip;]<\/p>\n","protected":false},"author":55680,"featured_media":5985,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[374],"tags":[714,443,465,520,715,713],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/maquiagemnocinema.com\/index.php?rest_route=\/wp\/v2\/posts\/3800"}],"collection":[{"href":"https:\/\/maquiagemnocinema.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/maquiagemnocinema.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/maquiagemnocinema.com\/index.php?rest_route=\/wp\/v2\/users\/55680"}],"replies":[{"embeddable":true,"href":"https:\/\/maquiagemnocinema.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3800"}],"version-history":[{"count":65,"href":"https:\/\/maquiagemnocinema.com\/index.php?rest_route=\/wp\/v2\/posts\/3800\/revisions"}],"predecessor-version":[{"id":6075,"href":"https:\/\/maquiagemnocinema.com\/index.php?rest_route=\/wp\/v2\/posts\/3800\/revisions\/6075"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/maquiagemnocinema.com\/index.php?rest_route=\/wp\/v2\/media\/5985"}],"wp:attachment":[{"href":"https:\/\/maquiagemnocinema.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3800"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/maquiagemnocinema.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3800"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/maquiagemnocinema.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3800"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}